‘Cream Tea Philosophy’ Stone Resin

£1,850.00

‘Cream Tea Philosophy’

1 in stock

Description

‘Cream Tea Philosophy’ Stone Resin

Stone Resin Sculpture in edition of 18 (this is the cast left)

Collect from gallery £1,850

H 89 x W 43 x D 41 cm

Weight 61 kg

Also available in bronze edition of 9 £6,500 Please enquire

Please contact the gallery to discuss delivery.

Helen Sinclair was born in South Wales in 1954. She studied sculpture at Wimbledon School of Art (1972- 1976). After teaching for twelve years, she has been a full-time sculptor since 1988. With her technician (traveller and writer Gary Ley) she does her own mould-making and resin casting. All her bronze sculpture is cast at the MB Fine Arts Foundry in Pembrokeshire.

The human figure is her primary subject : the actual figure (in movement and at rest, clothed and unclothed) and the figure as depicted by other artists in any medium and at any phase in history.
Her influences include the sculptural forms and mythology of ancient civilisations (Etruscan, Egyptian, South American), Italian Renaissance sculpture (especially Donatello) and twentieth century sculptors : Emilio Greco, Medardo Rosso, Giacometti and, most notably, Willhelm Lehmbruck. She also looks to painting for inspiration, especially Picasso, Matisse, Chagall and Modigliani.

“I have been making sculpture for over twenty years and the process is still a delight to me. With every piece I make, I find the working process both comfortingly familiar and refreshingly surprising.

Although not the only subject I work from, the human form is the one I keep coming back to: the actual figure (in movement and at rest, clothed and unclothed) and the figure as depicted by other artists in any medium and at any phase in history.

I make semi-figurative sculpture, cast into either resin or bronze from originals which I make in plaster, clay, wax, cardboard, wood.
The materials I work with are as stimulating to me as the subject matter.
I live by the sea and collect driftwood, broken furniture, discarded plastic debris and other beach-found ‘stuff’, all of which regularly introduce new and unexpected vocabulary to explore.
I have made small and large sculpture entirely of found material. These are all foundry-cast by the traditional lost wax method.”